The thing I liked most about Kahaani were the Ray references. "Running hot water", genius citation, the man working on the face of Durga, subtle. Vidya at the window, following the truck down the street, as cloistered, as much of a stranger to that world as Charulata to the world outside her home.
The thing I liked the least, the last scene. Vidya's back story seemed a bit trite for a film that was otherwise constructed so tightly. Or maybe it wasn't the story that was trite but the presentation of it. Too prosaic, too simple for a film with a plot that was coiled so tight.
Among other things, as expected I loved the South Cal setting. Also, the vernacular, no exaggerated Bangali Hindi but just the sort of gender-confused Hindi we speak anyway, easy and fluid transitions between Bangla, Hindi and English.
The thing I liked the least, the last scene. Vidya's back story seemed a bit trite for a film that was otherwise constructed so tightly. Or maybe it wasn't the story that was trite but the presentation of it. Too prosaic, too simple for a film with a plot that was coiled so tight.
Among other things, as expected I loved the South Cal setting. Also, the vernacular, no exaggerated Bangali Hindi but just the sort of gender-confused Hindi we speak anyway, easy and fluid transitions between Bangla, Hindi and English.